Out of Practice? Start Here
Right to the point: If you haven’t practiced animation in a while, you will be worse at it now than when you last animated something. How can you fix this? Read on.
Why You Should Try Art Commissions
Commissions are a great way to improve your skill, build an audience, and share your talent with others. Today we’ll take a look at art commissions and why (plus how) you should consider giving them a shot!
Character Design Practice: Shapes
Designing characters around base shapes for contrast and appeal is a time-tested tradition among animators. Today we’ll go over that process and then leave you with a free worksheet of shapes to transform into characters, improving your art and design…
Are You Using Reference Correctly?
Artists work to capture the magic of life and transpose it onto a canvass. Whether the medium is animation, digital illustration, charcoal drawings, or any number of other art styles, reference is key. But many animators are using reference incorrectly….
51 Great Animation Loops to Practice
Thousands of animators have discovered our post 51 Great Animation Exercises to Master. It’s time to get to practicing once again with this sequel, all about animated loops!
How to Deal With Feedback as an Artist
Any time you put a piece of creative work out into the world you open yourself up to feedback from others. Feedback of all kinds. Today we take a look at several different types of feedback and how best to…
What is MerMay?
The legendary animator Tom Bancroft has a challenge for you this month! Come check it out and join in.
Animation Exercise: Judy Hopps Keyframe
Keeping with the Lessons From Zootopia theme from last week’s update, today we’ve got an exercise for you to tackle! After all, practice makes perfect.
10 Second Tip: Always Anticipate
Anticipation is one of the Principles of Animation, but where and when should it be used? Does every action need an anticipation? Does it really make a difference?
Animation Thumbnails Aren’t Optional
Animation takes time. A lot of time. More time than many sane people might dedicate to the production of a few seconds of something moving across a screen. Why, then, do so many young animators gamble when it comes to…
